Showing posts with label south bridge road. Show all posts
Showing posts with label south bridge road. Show all posts

Wednesday, December 26, 2007

老照片 - the story behind the old photographs

老照片–Lao Zhao Pian - is the title of a series of books published by Shantung PublicaLtion – 山东画报出版社 . It has been 10 years past since it first went to print in 1997. I bought my first copy in June 1998 老照片 - 第二辑, and at S$3.25 (RMB6.50), which was relatively cheap for a book of 130 odd pages and a good read.

The theme of the book is the story behind the old photographs, mainly contributed by the- 老百姓 -laobaixing - the common folks. Variously it has been described as recording the 野史 – yeshi - literary the history of the wilderness. Compared to the 正史 – zheng shi - which is the official history, 野史 – yeshi – is the unofficial history of the era. It is a record of personal history – the personal history with the family as the backdrop – and against the great historical events that unfolded in China then.

The bulk of the stories are from that era of China from the founding of New China in 1949 until the later half of 1970’s with– 改革开放- gaige kaifang – Deng’s reform and opening up to the outside world.

Many of the stories that happened during the period from 1966 to 1976 were comtemporous with Jung Chang’s - Wild Swan, or Nien Cheng’s – Life & Death in Shanghai. It is said that during the ten year period of the Great Proletariat Cultural Revolution – 无产阶级文化大革命 – the Chinese shut their doors tight and crazily beat each other up - 关起门来自己打自己 –
guanqi men lai zijida ziji .
The book gave a good glimpse of life behind the Bamboo Curtain then. With Communist China backing the insurgents in this part of the world, there was limited contact with China then.


Many of the family links from the pre-Communist China had been cut off, and communication with the villages or relative back there was reduced to the occasional letters from China.

舅舅那一代的故事 - tale from uncle’s generation


The old photographs that I grew up with of China were those of my two uncles from the maternal side. They were born in Ipoh, and studied in the local Yuk Choy Chinese school until they ‘return’ to China in the 1950/s in their youthful years.

This picture was taken in Beijing in 1955, and posted to eldest aunt - mum's sister - , most probably when they had a reunion in the capital.


 The younger of the two uncle’s – 二舅- Erjiu – 2nd uncle returned to China in 1954, while the elder uncle – 大舅- Dajiu - returned to China three years or so earlier soon after the founding of New China – 新中国。

It was two years before I was born when the photo was taken. With the stories from mum of her brothers, the picture had been a part of my childhood memory.  It had sub-consciously or otherwise shape my curiosity and  fondness for China then.


During dinner time, mum would relate the stories of her brothers.  She told us that 2nd uncle, did not tell anyone that he was going back to China, until the very last day he was to leave. His trip was sponsored by his schoolmates.

And mum would also tell of Dad’s youngest brother who left for China around that time. He said that Dad escorted uncle till Singapore. While on the last leg, Dad tried again to persuade him to stay and to follow him back to Ipoh, and not to go on the journey. However, he went.

What I had heard of was that, it was a period of conscription to join national service in the late 1940/s or early 1950/s and many of the youths who did not want to serve in the colonial army, decided to pack their bags to go to China.


Perhaps it was not so much a return to the land of their birth, for they were the 2nd or 3rd generation overseas Chinese, and were born in the South Seas – 南洋 - Nanyang。

For those who were educated in the Chinese medium schools, the cultural & ideological factors was an important elements that shaped their decisions, as it coincided then with the call from the New China to the overseas Chinese to help build a strong and prosperous ‘motherland’.

It was time for the -  Romance of  the New China . It must have been a great draw for the youth then to return to China then, for even with much persuasion they refused to stay behind but to pursue their dreams in helping to build a New China.

And this dream would only be realized after 30 odd years or so later, after going thro many trials and tribulations, and they in their old age.

However, not long after they arrived, the New China would be embroiled in countless political campaigns, starting with the Great Leap Forward – 大跃进, the Anti-Rightist movement -反右派运动, and the Cultural Revolution. And the series of Lao Zhao Pian, 老照片- would provide the reader with glimpses of life in China first hand from those periods.


Postscript:

1. The most current edition June 2007 - found in the local bookstore – 长河书局 – Changhe Bookstore 桥南路 – South Bridge Road - - is priced at S$4.00 (RMB10.00). . However with the new of the price of paper and newsprint skyrocketing, books from China will no longer be as cheap, and of relatively good quality print. Over the past 15 years the profusion of books, and the quality of improvement of its publication has been awesome an astounding.

2. Dajiu graduated from 政法大学,北京 - Zhengfa Daxue, Beijing, while Erjiu went to study geology at Wuhan University. We met up with Erjiu on a trip to Beijing in 1995. Dajiu is residing in Hainan Island with his family.

While on a visit to Singapore a few years back, Erjiu remembered while stopping by in Singapore en-route to China in 1954, he went for a movie at the Odeon cinema.

3. An early photograph taken most probably during the pre war years in Ipoh, in the late 1930/s or 1940. Erjiu was born in 1936, and he was probably 12 or 13 years old then.







ed 20120717

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Thursday, May 31, 2007

no, that at south bridge road is not a kabuki-za

This picture was taken on Saturday night 19May, 8:45pm , on the night of street light up.

This building, located at the junction of South Bridge Road and Sago Lane - the BTRT S– 佛牙寺龙华院 - will soon adorn the tourist brochures of the Singapore for the master said -that you have not been to Singapore if you had not visited this place.

Well, to a Japanese tourist, his or her first impression could be – is it a Kabuki-Za? For its unique traditional architecture & location, smack in the city center, will bring to mind a Kabuki-Za (歌舞伎座) or a kabuki theatre. In Tokyo, the Kabuki-Za is located not too far from the Ginza shopping mall, at the Tukiji district (the better known tourist site in Tsukiji is the wholesale fish market – the biggest in the world), while in Kyoto it is the Minami-Za Kabuki theatre.

And for the local couple that was standing beside me on that night of the lighting up ceremony I over heard the husband saying to the wife – How ingenious the Japanese are in their architectural design. Look at the intricately style wooded beams. Indeed it looks very ‘Japanese’ for that. If one has seen the Heian Shrine (平安宫)in Kyoto (京都) or some of the ostentatiously painted crimson torii gates, it looks uncannily Japanese in style and color scheme.

Well, to be an easily recognizable tourist attraction, it boards well to be visually unique, and vibrant in color and style.

It brings to mind another temple and tourist site - the Chi Nin Nunnery (慈宁庵) in Hong Kong. Located at Diamond Hill, it too adopted the Tang architectural style - with the horse mane roof as a trademark of that era. The color scheme of this temple complex is much more subdue, and reflective perhaps of original Tang color.

For temples, and a Buddhist one at that, one would have it that it takes a more subdue and less glaring color scheme, that would be more soothing to the mind and less evoking to the senses. The red and crimson would have been left to the palaces of the emperors,

However, this building is more than a temple, it is also a masterpiece of Chinese Tang architecture, albeit with a fusion of temple and palace traditions – with the bodhisattvas inter-mixing with the flying dragons.

The tiles that covered the roof are from Nara (奈良) Japan. The label on the tiles red – naikyu Yamato Kawara - 大和瓦- dento no gijutsu o ikashita, jishin, taifu ni tsuyoi - translated as: long lasting Yamato Kawara tiles, a living traditional craft , able to withstand earthquake and taifuyu. The hopes and prayers of the believers are written on these tiles.

Taking about Nara – it was established in 701A.D as the fist capital of Japan. The city is modeled after Changan (长安) the capital of the Tang Dynasty -(618-907AD) – present day Xian (西安). The most prominent landmark in Nara is the Todaiji Temple (东大寺). Built in 752AD along Tang architectural style, it housed the Daibutsu, the biggest Buddha statue in Japan. For the past 1,300years it has been the center of Buddhist learning and culture.

The new landmark in Chinatown could easily be the most expensive single temple building in Singapore, and housed the most expensive – in terms of monetary term – Buddha stature on the island. Never mind that the fusion of Japlish-Tang architectural style and that is is incongruous with its environment. And that it is not styled after the local temple complex tradition which our forefathers brought with them from southern China. It is however a reflection of the continued influence of Tang soft culture and a landmark of our time in this globalize city.

As the Todaiji Temple in Nara has with stood the ravages of war, typhoon and earthquake thro the millenium, may this too long as long. Be it also known as far and wide not only for its rich imagery, but also as a citadel for reflection and meditation, and a center for the advancement of thoughts and leanings for the faith.


In the hustle and bustle of the pomp and pageantry of its opening ceremony, one hears the sound of the temple bell – echoing ever softly and gently . . . for it has been ringing for the past 2551 years, when the wheel was first set into motion.


postscript:

1. Lianhe Zaobao dated 6Jul07 -

联合早报 2007-7-6 , 言论版 – 热点话题 – 万丙炎

也谈佛牙舍利 - 世界上只有两颗佛牙已经是广大佛教徒的共识。在此,笔者倒是建议本地佛牙以‘佛牙影骨’也未必不可。

Forum page of Lianhe Zhaobao, in a column on titled ‘Hot Topic’ by Wan Binyan

The column titled – Also talk about Buddha sarira. In it mentioned that it is a common knowledge among the word wide Buddhist community that there are only two pieces of Buddha tooth. It may not be impossible if the local Buddha Tooth be called - 佛牙影骨 - Foyayinggu - (i.e a copy of the Buddha tooth) , the author proposed.

The article stated that the two pieces of Buddha tooth which have historical records that could be traced to the Sakyamuni Buddha, and also mentioned in the sutra are located in the temples in Sri Lanka and Beijing, one each respectively.





References:


1) Chi Nin Nunnery – Hong Kong
http://www.pbase.com/jwctang/chi_nin_nunnery
http://flickr.com/photos/124330160/50412290/in/set-1076812/

2) Heian shrine – Kyoto
The Japansese capital moved from Nara to Kyoto in
Heian-kyo in Kyoto is the capital of ancient Japan during the Heian Period (A.D794. -A.D1192).
http://www.sacred-destinations.com/japan/kyoto-heian-jingu.htm

3) Todaiji – Nara
http://www.japan-guide.com/e/e4100.html

4) Nara National Museum
Exhibition – Saidai-ji shutsudo kawara (Roof Tiles Excavated at Saidai-ji Temple)Nara period, 8th century, Two tilesNara National Cultural Properties Research Institute

http://www.narahaku.go.jp/exhib/2002toku/saidaiji/saidaiji-2_e.htm;


5) Kabuki-za (歌舞伎座) – Tokyo
It is the principal theater in Tokyo for the traditional kabuki drama form. It opened in 1889 during the Meiji-era.

http://en.wikipedia.org/wiki/Kabuki-za;
http://www.shochiku.co.jp/play/kabukiza/theater;






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